So, playscapes blog was pleased to be featured in the June issue of Landscape Architecture magazine, the publication of the American Society of Landscape Architects, as part of an article about landscape architects who blog. I'm not a landscape architect, but they let me play along anyway. If you'd like to take a look, the entire issue is available for download at zinio (for $5.25), but you can browse up to four pages for free. I'm smiling at you from page 49.
Tuesday, July 14, 2009
Monday, July 13, 2009
King of the Jungle playground, Toronto, Ontario


Little Norway Park, also in Toronto. No info on designer or date...
[photos by bennylin0724 and greying_geezer via flickr]
Wednesday, July 8, 2009
Jamie Bell Playground, Toronto Ontario, Leathers and Associates, 1998



As anticipated from the previous post, there wasn't much going on in Toronto playground-wise. Reader Jenny did send me a recommendation for the Jamie Bell playground in High Park, however, which is the work of Leathers and Associates out of New York, and about whom I've been meaning to post about for some time.
They were an early adopter of the community-build concept (as early as 1971), and have constructed nearly 2000 custom playgrounds, mostly of wood. Their extensive use of pyramidal spires makes their work very recognizable. At Jamie Bell the artwork was carried out by children and grown-up volunteers to celebrate area history and culture.
The conference I was attending regrettably didn't have time slots for playground visits, so photos are via flickr, by grant macdonald and tomtec.
Monday, June 29, 2009
Thursday, June 25, 2009
The Playground War

I'm headed soon to Toronto for a scientific conference, and doing some googling to find any playgrounds I'd like to visit, but apparently not...in June of 2000 one hundred and seventy two school playgrounds in Toronto were razed. It cost the city seven hundred thousand dollars for demolition, with replacement costs estimated at a staggering $27.5 million. But the playgrounds had been deemed 'unsafe', no matter that no money had been allocated, or funds raised for replacements. The kids were sad, and the parents were mad.
Liability concerns run amuk...read the story of the war at taddlecreekmag.
An excerpt from the media response to the tear-downs:
“The only logical thing to do is have lawyers to design the playgrounds,” wrote...parent, Linwood Barclay, the Star’s humour columnist. “Here are some pieces of equipment our kids will soon be playing on,” he continued. “The Litigator Teeter-Totter: As soon as children get on the equipment, they are tied up in red tape so they won’t be thrown off… . The Paralegal Bars: Similar to parallel bars from which kids can hang, but with much lower standing. Children will have to scrunch down to get under them… . Contract Bridge: Before children can run across the hanging bridge that links one side of the climber to the other, they must sign a waiver… . The Remand Rink: Kids won’t fall and hit their heads on the ice here. At this rink, there’s always a sign that says it’s closed …”
Wednesday, June 3, 2009
Kate Greenaway School Playscape, Islington London, Wendi Titman, 2007

[Apologies for the lack of posting lately...work in the lab is very intense at present!]
The last of the playgrounds from my London trip is the yard of the Kate Greenaway Nursery School and Children's Centre in Islington.
I absolutely loved this playscape; even now in remembering it what comes to me is the feeling of the place--gentle, affectionate, welcoming. Its very nature seems to make a playground fight unthinkable and Headmaster Julian Grenier spoke of the marked improvement in outdoor behavior since the playground was renovated with the assistance of playground designer Wendi Titman (much more about Wendi's work later).
I don't think I've ever seen a playground that was so much for the children. It seems a given, but in reality playspaces often have too much of what grown-ups would like to do and see. Even the viewpoint at a playground can be too high, with design elements placed well above a child's eye level.
At Kate Greenaway virtually all the detailing is low to the ground. Borders, edging, and surfacing on the ground plane change frequently, so there is alot to look at from three-feet and under. Intriguing found objects are set into the bike path that weaves through the entire space. Kate Greenaway promotes the use of small two-wheeled bikes without stabilisers (known here in the US as training wheels); more information in a column at the Guardian.
A gate to no particular place is included, because children just like to open and shut gates.
The narrow vegetable planting boxes were specified so that even small children could reach into their center. Measurements were taken of the arm lengths of the children at the school to determine the dimensions. There is also a small green house; the gazebo-like structure visible in the topmost photo.
There are numerous 'quiet' places tucked away for solitary imaginings. Bamboo is used effectively as a durable screen, but one not so dense that it can't be wiggled through or crawled under.
A new addition to the playground, just started before our visit, will be a chestnut and larch climbing frame by Touch Wood Enterprises. I was most impressed by the fact that the children participated in preparing the wood for construction. According to the Kate Greenaway newsletter:
" Children, parents and staff all worked together to make the monkey bars in an amazing workshop day...the children were incredibly impressive, using real woodworking tools and concentrating for long periods of time to strip bark, split wood and shape the bars."
Few children get to experience such a close connection with hand tools in our high-tech life; what a memorable addition to the construction of a playground!
Kate Greenaway is a case study for natural play at PlayEngland, and Tim Gill has written about the school in his column at the Guardian.
Thursday, May 28, 2009
Elephant and Castle Playground, London, Martha Schwartz Partnership, 2008


Still traveling through London by playground (can you believe I saw all this in one day?)
Given Martha Schwartz' reputation for the avant-garde, I was disappointed that her firm's playground for the redevelopment of St. Mary's Churchyard at Elephant and Castle consisted mostly of off-the-shelf components from a manufacturer, with the addition of some orange climbing blobs.
Very artificial, of course, but that is her style.
The flat 'discs' in the second photo are little marble sculptures, polished cool and smooth for tiny hands, with a recess in the top that would catch just enough water for a little splashing after a rain, but not enough to stay around and become stagnant. They were my favorite feature.
In the wider parkspace, black and white spheres sprouting up like so many mushrooms underneath a grouping of trees were surprisingly comfortable to sit on, and more playful than your average park seating.
More exciting, I think, are some other plans for the area...there is to be an 'urban forest' that will run from Elephant and Castle to the Tate Modern, and include a playground (drawing below from architects-in-charge Witherford Watson Mann). Can't wait!

Tuesday, May 26, 2009
Cantelowe's skate park, Camden, London, Wheelscape and the Cantelocals, 2007


There was also a nice skate park at Cantelowe's...I can't claim to know much about skate parks (having been on a skateboard no more than a couple of times in my life...no balance, really) but the judgment of the masses is positive...according to a press release by Sport England, who helped fund the project, it has been dubbed the best in the UK, in large part due to the involvement of the Cantelocals, the local BMX and skateboarders' group that helped Camden Council design it. I liked the fact that the funding included £10k towards a Park Officer to provide coaching.
The park includes areas for beginner and advanced skateboarders and spectators as well as a massive concrete bowl, ramps, skid rails, practice pavements and a performance platform.
It has its own website: http://cantelowesskatepark.co.uk/
The effort was led by Wheelscape, whose take on the design process of the park is enlightening.
I think there should be a rock band called Wheelscape and the Cantelocals.
Friday, May 15, 2009
Cantelowe's Park Playground, Camden, Farrer Huxley, 2009
The Cantalowe's park playscape was my favorite of all those we visited...it took the familiar elements of the natural playground--stumps, rocks, sand, earth forms--and integrated them into a story: a meteorite had crashed to earth, crumpling the ground around it as it skidded to a stop, leaving a bare (sand) skid mark, upturned boulders, and fallen trees in its wake. We visited just prior to its grand opening; I'm anxious to see how the children respond to it. By London firm Farrer Huxley Associates, it is something of a departure in style from the other playgrounds they've completed. It can only be hoped that they'll continue in this creative vein!
Tuesday, May 12, 2009
Bingfield Park Football Pitch, Islington, architectsnetwork
Also in Bingfield Park, behind Crumbles, was an well-designed football pitch: sunken, defined by gabion walls with strong design appeal, and boxy modern seating elements on one side with a curved seating wall on the other.
Designed by architectsnetwork; more photos at their site.
Monday, May 11, 2009
Crumbles Castle Adventure Playground, Islington, 1974

From a 1974 article in "Design" covering the installation of this adventure playground: "Telegraph poles, concrete and granite sets from dismantled Kings Cross roadways were the chief raw materials for this toughest of all adventure playgrounds. Physically it is well suited to the robust natures of the kids in the Bingfield St neighbourhood. As an idea, it is blessedly non-abstract, a solidly fantastic landmark in an area which is visually no fun whatsoever.The Crumbles Play Castle was organised and designed by architecture students Catherine Davis, Robert Hamment, Robert Parker and Jill Seyler, at the invitation of local residents. Some nine months in the making, it is due for completion by Christmas. The 150m2 interior, designed as a quarter-amphitheatre, has now been roofed over and grassing of roof and surrounding mound should begin this month. The telegraph poles will be slung with climbing ropes.The project has depended on a lot of scattered generosity: an eventual £15,000 from the Islington authority and about the same sum in private donations of capital gifts, cheap materials, money and labour. Lang, for instance, donated some £600-worth of labour."
Crumbles continues to employ full-time playworkers to facilitate free and adventurous play that includes construction projects and cooking over a fire.
Saturday, May 2, 2009
Through London by Playground - Elm Village, Theories Landscapes, 2009
When lately in London, I had the pleasure of being taken round some of its playscapes by playground advocate Tim Gill, and will be blogging about them over the next few weeks. Thanks to the Calouste Gulbenkian Foundation, the entire text of Tim's book "No Fear: Growing Up in a Risk Averse Society" is available for download at their website.







It gives specific attention to children's play and spaces designed for play, and Tim has been instrumental in moving the conversation for new playgrounds in London from a discussion of risk alone to a proper consideration of risk AND benefits as applied to playgrounds.
The issue of fear and risk couldn't have been more evident than at our visit to Elm Village, a pocket park on a housing estate in Camden, to see an installation then but a few weeks old by London-based Theories Landscapes. Just as we were admiring the playscape, we were approached by a woman from the estate who was not only displeased with it, but actively upset about her perception of its 'dangers'.
Soon, we were at the center of a small group with aggressive complaints:
The climbing structure is dangerous. It's too high. You can fall off of it. You can bump your head from underneath. You can fall down on the hill. Kids on top can see into the ground-floor apartment windows. Maybe its ok for older kids but not for younger kids and the big kids will take over the space and be bullies. The sticks on the bushes are sharp and might poke a child in the eye. The kids might enjoy it for a while but they will soon get bored. One of the entrances to the playspace is through the parking lot and someone might get run over. It's ugly.
As we talked however, the attitude of the women softened considerably. They began to acknowledge that the playground was innovative and even attractive, though they still felt that it was somehow unsafe.
It became clear that the problem was largely one of expectations: the installation differed so dramatically from what they had expected; from what they thought a playground, and in particular a 'safe' playground, should look like. Having only experienced conventional commercial equipment installed on pancake flat ground, it had become their standard.
It reminded me that communication becomes extra important when trying to do something new or innovative. The residents acknowledged that they hadn't gone to the planning meetings held at the estate, but still insisted that the playscape wasn't what they 'thought' they were getting.
While it might not have allayed all of their concerns, some simple signage explaining the playground and its goals would have helped. Just a little information about how the bushes and the timbers were important natural elements, that the apple trees on the trellis (along the yellow arches in the pictures) would shield the windows of the ground floor apartments as they grew, and that the incorporation of the hills and the height of the climbers was in line with research about how children needed to be challenged as they played, could have at least helped the moms understand. And if they understood, perhaps they might have felt proud of their unique playspace instead of believing they were simply being experimented on by the council. Perhaps they still can. I wonder what they'll think at this time next year?
While we were talking, a group of children, ranging in age from 5 to 15, came to the playground and began to play together behind us. Quite happily.
Thursday, April 23, 2009
Make Playgrounds Better at the Better Project
I've been thinking for some time that it would be nice to have a place where my readers could talk about playspaces; whose format was more oriented to discussion than this blog--being more or less devoted to visual examples-- accomodates easily.
Off-blog, I get email with questions that I think would benefit from a wider group of respondents, and increasingly am contacted by students working on playground projects who would benefit from a place they could discuss their ideas.
So when I heard about the Better Project, it seemed to be a good solution.
I've started a 'make playgrounds better' project, and some topics to start us off. Since the premise of the site is improvement, they're worded as 'suggestions':
- Provide installation and maintenance instructions for natural playground elements
- Provide a place where anyone working on a playground project can collaborate
- Move from 'risk assessment' of playgrounds to 'risk-benefit analysis'
- Build a list of good plants for use on playgrounds
- Discuss the pros and cons of playground materials
After registering anyone can respond or start their own discussion within the 'make playgrounds better' project. So you can bring up any topic at any time, rather than just responding to my posts (though I hope you'll continue to do that as well!), and you can subscribe to the project's RSS feed to keep up. Feel free to continue to email me personally, but I hope the 'Make Playgrounds Better" project will accomodate more free-wheeling discussions and hopefully some group problem solving.
Best wishes and happy thoughts for long summer days on the playground,
arcady
Saturday, April 18, 2009
Wishbone House, Colin Greenly, 1967
Precast concrete, six feet high and eight foot long, six thousand pounds, "Wishbone House" was the winner of The Corcoran Gallery's School of Art's National Playground Sculpture Competition, partially funded by The National Endowment for the Arts in 1967.
"the piece was executed specially for the competition insasmuch as the work i have shown previously would in no way be appropriate for the location contemplated. i considered the problem in this order: playground, sculpture, climb on, climb in, sit on, shade essential, minimum upkeep, maximum shape, minimum cost, reproducibility." colin greenly, 1967
"As noted in the "Art In America" November-December 1967 issue the visual and philosophic concerns of the glass sculpture were replaced with other considerations: site - playground, sculptural integrity, appropriate scale, tactile response, climb on, climb in, sit on, shade incorporation, and creating a non-limiting "platform" for childrens' imagination. The essential ingredient with which I started was an intuitive, varied, playful "S" curve which was repeated with spacing related to the likely movements of children. I was most pleased when my artist friend Jose Bermudez and his son Alexander visited the studio just when an initial full scale section was completed. Alex and the sculpture seemed to fit each other exactly.
Footnote: The prize included installation of one cast in Washington, D.C. When I learned that the cast was to be installed in a wealthy section of Washington, I called the White House to note my degree of unhappiness with that choice. First lady, Mrs. Johnson, who did much to enliven the District's environment, kindly arranged for a second cast to be placed in a less fortunate part of the city. I'll always be greatful for her sensitivity."
First photo and quote found at the blog airformarchives, second photo and additional information from Colin Greenly's website, leaningpostproductions.
Thursday, April 16, 2009
More on Egon Moeller-Nielsen, 1953
Found via a post at Daddytypes referencing this blog referencing Egon Moeller-Nielsen (something nicely circular there); more info about the creation of his fantastic play sculptures as reported on a June 1953 page from Modern Mechanix.
Intriguing reference to the 'artistic-looking sliding pond'...if you know anything about it, get in touch.
Tuesday, April 14, 2009
Quote from Rainer Schmidt
In perusing the website of the BUGA playground designer (see below), I found this lovely quote:
"It is necessary to call something your own territory, to recognize the usefulness of the area and to fill it accordingly. When children call the straggly trees next to the fenced-in playground their secret hideaway and love to play there, their order-loving parents and zealous planners should think about it."
Words to live by.
"It is necessary to call something your own territory, to recognize the usefulness of the area and to fill it accordingly. When children call the straggly trees next to the fenced-in playground their secret hideaway and love to play there, their order-loving parents and zealous planners should think about it."
Words to live by.
Saturday, April 11, 2009
BUGA playground, Munich, 2005


Playscape installation from the 2005 BUGA national garden festival in Munich, with high-contrast paths like ant trails.
photos from hn. via flickr, and ratsateit via flickr
Thursday, April 9, 2009
Caracool, Joel Escalona, 2008


Designer Joel Escalona is looking for producers for his Caracool playground slide, which can be made from fiberglass or from wood. I'd love to see this for sale in a big-box store...it would really up the ante for backyard playground equipment.
Monday, April 6, 2009
Henri Georges Park Playground, Brussels, Suede36, 2008






'To play, to dream as well'
The new playground at Henri Georges Park in Brussels by Suede 36 includes features designed for dreaming as well as playing: carpets of color, a red-box maze, a roof-shaped cloud, and a giant Gulliver that has become a favorite play companion. More photos on their website.
I was also pleased to note the inclusion of three taps of running water; the lack of public drinking water in Europe generally, but particularly on playgrounds where children can quickly overheat is always an astonishment to this thirsty American. If ever I encounter a grumpy European on my travels, I figure they're just dehydrated.
Friday, April 3, 2009
Playground art by Edward del Rosario


Found via a NYT article on the declining number of children in Europe, the lonely playgrounds of Edward del Rosario.
Thursday, April 2, 2009
Stairwell Playscape, E. Cobb Architects


The Cascade Lake house by E. Cobb Architects lets the children (and grown-ups?) travel between floors via an interior climbing wall.
According to Cobb, “There was a kind of Hardy Boys sensibility in the direction we were granted.”
[via remodelista]
Saturday, March 28, 2009
An Early Natural Playground Advocate from 1926

"May I make a plea for a greater use of things as they are? The original valley was attractive and would have given more area for play...Here was a natural bird retreat, which has now a bird house--a good thing in itself, of course, but why destroy the natural to gain the artificial?
This valley was a natural walk and a few years ago might have been made into a pleasing gateway to the park. It would have wound by the brookside where one could enjoy the wild plants....Let us get away from the obsession that we must artificialize the entire play areas."
"Mother Nature's Invitation", by William G. Vinal, in The Playground Magazine, March, 1926.
It would appear that natural playgrounds are hardly a new idea.
[text from the online archives of the Library of Congress, photo from the flickr photostream of Tim Gill. 'Richmond Park in West London: one of the capital's royal parks, where the rangers appear relaxed about den and shelter building']
Thursday, March 26, 2009
Playground Alphabet

Vintage ABC climbers in East Rochester, Ohio, via the flickr photostream of scottamus.
The whole alphabet, anybody?
Monday, March 23, 2009
Platforum, Clara Gaggero, Villiers High School, London, 2008




A more modern take on hangouts is this teen playscape designed for Villiers High School in West London by a Royal College of Art student. Villiers students themselves initiated the design process for an eco-playground aimed at teenagers.
"They applied for funding and when they discovered no specialist playground company could provide what they wanted, they turned...to RCA design students for help. The result was a design commission for Clara Gaggero (IDE graduate 2007). Now a well used, much appreciated school facility, the project was unique in that all the pupils of the school were consulted over the plans, with workshops run, films and presentations made and the playground built to the pupils’ specifications."
"The school had been having problems with the existing playground, because it seemed to be a focus for aggression and violence, with some students even having their noses broken. In fact, at lunchtime the space was only used by 30 or 40 students, with the rest choosing to stay indoors. The school obtained funding of £25,000 to redesign the playground, and because it had been impressed with Clara’s previous work, in particular her willingness to consult the students themselves, it invited her back.
The school had already been approached by makers of playground equipment, who had wanted to install slides and swings, which clearly would have been inappropriate for teenagers. Clara, by contrast, ran three workshops with students to find out what they wanted, which was a space in which they could socialise freely. The teachers, meanwhile, were keen for her to create a space that would minimise playtime fighting.
With the students’ help, Clara came up with a design that breaks up the playground area using lots of large concrete blocks. Two moulds were used to create the blocks: one in the shape of a bench, and the other a box with two sides missing. Altogether, they created 35 precast benches and 25 precast boxes. By putting the blocks next to each other, or putting one on top of the other, Clara created different kinds of spaces where students could stand, sit or climb. The blocks were painted a bright green.
The idea was to create territories in the playground, where teenagers could socialise with their own circle of friends. “The less prescriptive the spaces, the more people will find a corner,” says Clara. “In this case, their way to play is socialising – they are in that stage where you hang around and talk, so it just needed a lot of spots to chat.” Since the blocks were installed in May, the playground has been used much more extensively. Now, at lunchtimes, there are about 700 students using the space: “They found their own area – people who were a bit more extrovert were always in the centre of the playground and people who were a bit more shy were always on the borders.” What is more, Clara adds, the sense of danger in the playground has disappeared: “Since May there have been no broken noses.”
Here's what she says about the project, entitled Platforum:
"numbers that explain this adventure: 1,300 students 35 nationalities 1,750 sqm to refurbish £15 budget per sqm 3 days to meet the students 6 days to generate 3 concepts 24 days to finalise and produce the chosen design 12 days to build it 1,200 sqm of new asphalt 300 sqm of green paint 40 m of climbing wall3 5 concrete precast benches 25 concrete precast boxes4 moulds 1 crane 3 lorries 4.22 GB of files 3 teachers 14 students 7 friends 4 mentors 16 builders 3 contractors… 5 photos by Adrian Westaway"
Saturday, March 21, 2009
Hang-outs, Richter Spielgerate



As I've mentioned before, the presence of tweens and teens on playgrounds is rarely facilitated within the design, and often seems to be actively discouraged. Skate parks are an obvious attempt to address their recreational needs, but the integration of hang-out spaces into existing facilities is a good approach as well. I especially like the simple addition of the large decks to a standard playground build (first photo). The structure in the last photo is specifically called a 'sitting fence'.
Tuesday, March 17, 2009
Sunday, March 15, 2009
Bike Hills at the Garden of Remembrance, Dani Karavan, 1999


I don't think that the undulating hills at artist Dani Karavan's Garden of Remembrance in Duisberg were intended as a playscape, but the artist wouldn't mind:
"Generally, my work is created for people to use. My art cannot exist without people. My work is not there to be looked at but to be experienced.”
photos and text from the book 'In Gardens', published by Birkhäuser Basel, 2005.
Thursday, March 12, 2009
Bloom, Sam Spenser, 2008
Monday, March 9, 2009
Spiral Tree Climber
Sunday, March 8, 2009
Inspiration for the Small Playground

I like the idea of centering a small playscape around a hill. I'd prefer more natural elements, but this is a nice starter arrangement for a church, child care center, or home playground, with far more play value than the same features on flat ground.
From my files, so no source, but by the name I saved it under must be German. The climbing ramp with a rope down the middle as a handhold is a feature I see often in European playgrounds but rarely in American ones.
Friday, March 6, 2009
Happy Trails, MIG

Saddle-up at the Market Street playground in Scottsdale Arizona by MIG, whose water-playscapes were featured in a previous post. I love this idea...buying second-hand tack would make it very affordable.
Sunday, March 1, 2009
Saturday, February 28, 2009
Turning Bars, Madrid, 1908

Improvisation here, but in my observation the turning bar remains one of the most popular (and simple) playground pieces. They feature in almost all of Aldo Van Eyck's work. I don't see them much in newer installations, though...liability, perhaps?
ByChusseau-FlaviensTitle, from the George Eastman House Collection. Online at the flickr commons project.
I keep thinking about this turning bar...I really like the length of this one because it allows for communal play in a way that the typical short length of bar does not.
Thursday, February 26, 2009
Sunday, February 22, 2009
Learning Landscape, A Playground for Math, Project H, 2009




Project H Design is “a charitable organization supporting product design initiatives for humanity, habitats, health, and happiness".
"Our concept in development is a “learning landscape” based on a grid of tires..it allows for both a playspace, outdoor classroom, and a flexible system for math games which can be adapted, scaled, and added to over time.
Four initial games have been designed to teach basic addition, subtraction, division, and multiplication: “Match Me,” “Math Musical Chairs,” “Which One Is Missing?,” and “Around The World.”
Installed at the Kutamba school for orphans in Uganda in January 2009, the playground even integrates a bench system for added functionality as outdoor seating or assembly space.
Amazing concept...bravo, bravo, bravo!
Donate to fund the construction of additional Learning Landscapes at the Project H website.
See many more photos at their flickr photostream.
Friday, February 20, 2009
Bulgarian Playground Animals
Thursday, February 19, 2009
Maritime Youth House, PLOT = BIG + JDS, Copenhagen, 2004





"Two very different users had to share the facilities: a sailing club and a youth centre with conflicting requirements: the youth centre wanted outdoor space for the kids to play; the sailing club required most of the site to moor their boats. The building is the result of these two contradictory demands: The deck is elevated high enough to allow for boat storage underneath while providing an undulating landscape for the kids to run and play above."
Photo credits to Julien de Smedt, Mads Hilmer, Esben Bruun, Paolo Rosselli.
More photos at the wacky JDS/ Julien de Smedt website...you want project MAR.
Monday, February 16, 2009
Playground Durability

One of the arguments I hear about innovative or natural playground elements is that they won't 'last' as well as commercial playground equipment.

It seems to be universally assumed that metal playgrounds are the most durable. So I was interested to find this article from the Honolulu Advertiser from January 23, 2008, as posted at 'playspaces for children in hawaii':
PLAYGROUNDS IN DISREPAIR
By: Eloise Aguiar
Playground equipment installed at dozens of public parks less than 10 years ago is deteriorating due to rust, corrosion and wear, and the lack of a comprehensive city maintenance program has left many of the structures with holes or broken pieces that residents say pose a safety hazard and can take months to repair. Conditions at a small community park on Peterson Lane in Kalihi are typical of what parents and Honolulu's youngest citizens have to deal with at many parks.A ladder is missing from the play structure, the soft flooring used to prevent injuries in the event of a fall has large ruts and the equipment is covered with graffiti...some parents no longer allow their kids on the playground because it's in such bad shape.
Gary Lockwood..said he lives near four parks and all the play equipment has problems including a sharp, rusty hole in the deck at Enchanted Lake Park, a broken viewing bubble and slide that are boarded up at Kailua District Park, holes in the resilient surface at Pohakupu Park and more rust at Ka'elepulu Park.
From 1999 to 2003 the city spent almost $8 million to remove unsafe play equipment and install new equipment at more than 110 city parks. The playgrounds included resilient playing surfaces and accessible pathways costing from less than $100,000 to $125,000 for each site. Today, there are problems at parks across the island. In Kalihi, Salt Lake and at community parks on Beretania and Kalakaua in urban Honolulu, pieces of playground apparatus are missing and chunks of padding are gouged that could lead to falls. Equipment in Sunset Beach and at Waimanalo and Nanakuli beach parks got so bad that structures had to be removed."
I realize that all playground equipment requires appropriate maintenance, but all that money and then removal within ten years? I'd hardly call that durable.
I'd be interested in your thoughts on the durability of current commercial equipment.

Saturday, February 14, 2009
Valentine's Garden, Helle Nebelong (and Valby School Year 3), 2000


The perfect Valentine's Day playground...another Helle Nebelong project, this time for a garden to celebrate the Millenium. A year 3 class from Valby School won a competition held to determine the garden's design.
"They designed a garden, which is split into 2 different areas.
One part of the garden is full of shadows and has a jungle-type character.
The other is a garden full of light and flowers.
There is a heart-shaped path and small nooks with love seats.
There is a heart-shaped path and small nooks with love seats.
Here you can meet your loved-one and be romantic.
A lake separates the two halves of the garden, but the two worlds are connected by – or linked together by - a bridge over the water. The bridge, and all the life-strengthening thoughts, which lie behind this suggested garden, symbolises a fine crossing to the new millennium.
The children's model of the garden was transformed into architectural drawings and the construction work got under way...The realized garden is very close to the children's ideas and design. "
Grown-ups may have outgrown hearts and flowers as playground themes, but they are still beloved by children. I'm glad Helle Nebelong and Co. didn't reject them as somehow unsophisticated.
Wednesday, February 11, 2009
Monday, February 9, 2009
Stroking Stones, Richter Spielgerate


The rounded forms of Tom Otterness' work remind me of these stroking stones, which returns us to the work of Richter Spielgerate.... shapes like these are instinctively touchable; I wonder why?
Thursday, February 5, 2009
Slide, Tom Otterness, 2007




Many thanks to reader and stay-at-home Dad DK for sending this beautiful playground slide by sculptor Tom Otterness. I especially like the figures hidden on the slide's interior, giving the child something extra to discover. A private commission, tucked away for some lucky (and presumably wealthy) kid...dare we hope that when the child is grown it will be donated to some lucky public playspace?
Monday, February 2, 2009
Saturday, January 31, 2009
Starslide, Liliane Lijn, 2005



Visual artist Liliane Lijn used her signature conical shape, which she calls a koan, for a slide installation at the Evelina Children's Hospital in London.
"The difficulty in making a work of art that is at the same time a functional children's slide, is in creating both without compromising either. My concept of sculpture is that no part of it should be unnecessary. I wanted to design a slide that both in concept and form would be an integral part of the sculpture."
Lijn has a wide-ranging and innovative body of work, including her fascinating collaborations with astronomers as part of a residency at the Space Sciences Laboratory at the University of California, Berkeley. Take some time to peruse her website.
Wednesday, January 28, 2009
Sunday, January 25, 2009
Thursday, January 22, 2009
Richter Spielgerate, Construction Components



The playground components of Richter Spielgerate, GmbH, are so exemplary that they will be the subject of a series of posts...RS is located in Frasdorf, a small town between Munich and Salzburg, close to the Alps in Bavaria, Germany. They are responsible for some very well known sites such as the Princess Diana Memorial playground in London and the Hall of Science in New York City.From their mission statement: 'We would like every child to feel well by having fun and joy when playing. We help to create a harmonious atmosphere in playgrounds which is indispensable for relaxed playing.'
This is one company whose catalogue I can actually recommend! They also, of course, do custom work. From top to bottom, a conveyer, an excavator (much heavier duty than other playground excavators I've seen), and large and small building sites.
Monday, January 19, 2009
Advice on Parks from Holger Blom, Stockholm

Egon Möller-Nielsen's playground sculptures were the result of a cooperative relationship with Holger Blom, Stockholm’s “City Gardener” (head of the Stockholm Parks Department) from 1938 to 1971. An architect by training, Blom's "tenure coincided with a brilliant period in Swedish landscape architecture. Stockholm became internationally known for its parks and the activities went by the name of 'the Stockholm school'. The regional landscape set the tone of things and was recreated, resulting in a more relaxed style of park design.
Blom formulated his visions in a parks programme:
Blom formulated his visions in a parks programme:
- Parks open up the city. The park must be an active component of urban development, forming networks through the city, and not just an isolated green oasis.
- The park makes room for outdoor recreation. The park must be a place for movement and exercise, for both young and old. The staffed play park developed during this period.
- The park is a meeting point. The park must be a public space for festivals, concerts and religious and political manifestation. During this period the City of Stockholm established “the Park Theatre”, which still gives summertime performances in Stockholm parks.
- The park preserves nature and nurture. Holger Blom collaborated with many artists, with the result that sculpture became a recurrent feature of Stockholm parks. Particularly deserving of mention is his partnership with Egon Möller-Nielsen, who created several play sculptures for children, such as Tuffsen in Humlegården and The Egg in the Tessin Park. "
text and image from the Arkitekturmuseet of Sweden
Ägget, Egon Möller-Nielsen, 1951

Another playable sculpture by Egon Möller-Nielsen, who worked with Alvar Aalto, is the 'egg', at Tessin park in Stockholm. [source]
Saturday, January 17, 2009
Tuffsen, Egon Möller-Nielsen, 1949

Much as I appreciate natural playgrounds, though, I wouldn't want to miss out on things like a swing that lights or the vintage stylings of Benjamin Dominguez or the three-dimensional design immersion provided by playgrounds like the Stoss SafeZone or the Jardin d'email.
Or the ability to climb around on a work of modern art, like this 1949 installation by Egon Möller-Nielsen in Reimer Holm Park, Stockholm [source]. Though artistic comissions are out of the reach of most playgrounds, these are unique experiences for children as well, and where available should be celebrated. Perhaps it will encourage more artists to make playground pieces. Hmmm...whether to make something to stand in a sterile museum, or to live under cheerful trees and children's feet....
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2009
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May
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- Elephant and Castle Playground, London, Martha Sch...
- Cantelowe's skate park, Camden, London, Wheelscap...
- Cantelowe's Park Playground, Camden, Farrer Huxley...
- Bingfield Park Football Pitch, Islington, architec...
- Crumbles Castle Adventure Playground, Islington, 1...
- Through London by Playground - Elm Village, Theori...
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April
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- Make Playgrounds Better at the Better Project
- Wishbone House, Colin Greenly, 1967
- More on Egon Moeller-Nielsen, 1953
- Quote from Rainer Schmidt
- BUGA playground, Munich, 2005
- Caracool, Joel Escalona, 2008
- Henri Georges Park Playground, Brussels, Suede36, ...
- Playground art by Edward del Rosario
- Stairwell Playscape, E. Cobb Architects
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March
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- An Early Natural Playground Advocate from 1926
- Playground Alphabet
- Platforum, Clara Gaggero, Villiers High School, Lo...
- Hang-outs, Richter Spielgerate
- Spa Fields Hills, Parklife London, 2007
- Bike Hills at the Garden of Remembrance, Dani Kara...
- Bloom, Sam Spenser, 2008
- Spiral Tree Climber
- Inspiration for the Small Playground
- Happy Trails, MIG
- Rings and Poles, Bronx Park, c. 1910
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February
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- Turning Bars, Madrid, 1908
- Hoops at Carnegie Playground, NYC, c. 1910
- Learning Landscape, A Playground for Math, Project...
- Bulgarian Playground Animals
- Maritime Youth House, PLOT = BIG + JDS, Copenhage...
- Playground Durability
- Valentine's Garden, Helle Nebelong (and Valby Scho...
- Ships, Slides, and Snails, Richter Spielgerate
- Stroking Stones, Richter Spielgerate
- Slide, Tom Otterness, 2007
- Cleveland Playground Housing Ad, 1936
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