The theme of last's years outdoor sculpture exhibition at Sudely Castle in the U.K. was play.
Some of the installations are of no relevance (Dripping plastic skeleton figure in a tree? Not. Playful.) but others have some new ideas...
Several of the pieces focused on reflectance, a material attribute I wish I saw more in playspaces. Jeppe Hein's 'Mirror Labyrinth' would definitely be fun on a playground, as would Arik Levy's 'Moon Tables', though finger smudges would have to be tolerated.
Henry Krokatsis reproduced the pulpit from the chapel on the Castle's grounds as a treehouse. Since pulpits are a place for 'vocalizing' it made me think of the delight of having a shouting spot (preferably elevated, like this one) on the playground.
James Hopkins made a bottle containing lenses and mirrors to give a kaleidoscopic view of the surroundings (how much do I want to see lenses used on the playground? Alot.)
and Carston Holler (he of the gigantic slides at the Tate Modern) contributed a flying machine.
Oh, and Zaha Hadid made a slide, but it looked just like her shoes/sofas/faucets/buildings and wasn't very interesting.
[Thanks, Fawn!]
Too many artists are fixated on being artists, rather than on making good things. I wish they would make real playground equipment rather than fragile psudo "playthings".
ReplyDelete